A Return to Blogging (Or Why I Miss LiveJournal)

So, here we are. It’s Fall of 2011. 100 Days of Social Media Blackout behind me. Speak Out with your Geek Out is behind (and in some respects) in front of me.

And I realized I’ve been missing something basic, something real. Twitter, Facebook and Google Plus don’t replace what I loved about being inside a blog network. As an author who enjoys sharing, learning, and contributing to a community — it’s difficult to “tag” people on my own website and share updates that don’t sound trivial. Of course, some may argue that that’s what Twitter is for. Only… Twitter is so fleeting. It’s hard to encapsulate people’s personalities in a single Tweet, but a series of them? Sure. Still, I have to be online twenty-four seven to do that. *shakes head* And I’m not.

So, I shall return to blogging after I return from NYCC. There will be other website changes to accommodate this, too, but I have to mull those over. There’s pictures to share, messy artwork to offer you, and more readers to engage. None of what I want to do will change the other posts; this is simply a natural evolution to fit where I’m headed with my work.

[Recommended Reading] The Blogfather Speaks Out

This interview with MetaFilter founder Matt Haughey has some extremely grounded viewpoints on the future of blogging, it’s value and all about the community that Metafilter has fostered. I think this is a good viewpoint to read — especially for writers.

The site still basically looks like it did in 1999, but in the meantime, all those Web 2.0 sites like Digg and Reddit have popped up. Do you ever worry MetaFilter will look old-fashioned?

It’s tough; people don’t want anything changed ever. We have a thousand or so hyper-fans who hate everything. Every tiny little change we make, we test out with everyone who works behind the scenes, then we talk about what we’re going to say to everyone, how we’re going to present it to them. There’s a culture [former Harper’s editor] Paul Ford wrote about called the “Why wasn’t I consulted?’ culture: WWIC. And [MetaFilter] is the ultimate example. We have an entire subsite talking about the site. So everyone is consulted on everything, and everyone has an opinion on everything. — SOURCE: The Blogfather at Willamette Week

If you have a few minutes, give The Blogfather at Willamette Week a read. I think, if anything, it confirms that the value of blogging is that it’s not as fleeting as what you can find on social media. For a writer? Well, I’m sure you can see where I’d be going with that… *wink*

Learning How to Let Go: Social Media Blackout Results

For my closing post in the series about the results of my 100 day social media blackout, I’d like to talk about one of the best side effects of this experiment. And that is? Learning how to let go.

As I mentioned in an earlier post this week, I talked about how I was hypersensitive to people using exaggerated personas on social media to sell their books. Today, I’d like to point out that you, too, may be hypersensitive to things online in the form of comments, articles and headlines.

In the grand scheme of things, what is a bad comment worth to your life? Your business? Would you let a crappy review ruin your day? How ’bout a headline that you never clicked through?

Forums, mailing lists, comments, etc. are going to incur negative comments along with positive ones. The more popular you are, the bigger your business is, the chances of less-than-ideal comments increase. It’s not necessarily a sign of progress, it’s a sign that you’ve attracted the other end of the bell curve.

Having worked with as much data as I have, I normally don’t care about the one comment because I treat them as outliers. What I look for are patterns as opposed to the one-off snarky remark. Yes, I’m human — not an android — so comments made by people who obviously didn’t read through an article or have a knee jerk reaction based on a crappy assumption get under my skin.

But not as much as before.

I now feel that a good social media strategy — whether it be personal or professional — needs to include periods of black out or times when the social media/community manager is not online. The idea of constant connectivity and notifications might sound like it’d benefit you, but after this experiment I’m finding that it will actually hurt you over the long haul. Why? Simply because you run the risk of overreacting the more connected you are. You become, as I did with personas or as others have with comments, hyper-reactive.

The consequences of being hyper-reactive aren’t always good. Sometimes, people feel creeped out if they make a complaint and you’ve magically commented on their Twitter feed or Facebook page. Other times, it’s “expected” that you do. Other times, your comment may come across as talking down to that person or be overly sarcastic.

The other toll that this takes on you, may be in your writing. Timing is important to social media, but for articles? That aren’t ephemeral? It can really chip into the way your prose flows on the page and what words you use. This is especially true if you “trick for a click.”

I’ve often mentioned to companies and individuals that the best way to manage expectations is to have a social media or community policy. I cannot stress enough how important this is for everyone involved in a social media profile. I cannot. If someone is obligated to log in offline or respond to something twenty-four seven — that needs to be clearly stated because the other side of that? Is that monitoring also comes into play and that takes time. Perceptions can ruin relationships, so having these things in place before disaster strikes can help facilitate better discussions and positive expectations.

For many reasons, if anything this experiment has taught me that there is value in being offline. Like anything, having a good perspective requires balance and the ability to let the small stuff go. Without that, well… that’s when you may find yourself as frustrated with the tools as I was.

Hope you enjoyed the coverage of this experiment and the results.

Day 25: Face Yourself

One of the biggest lessons I’ve learned from going dark, is that there’s a lot I can learn by talking to other people about their experiences with social media. This time, that insight comes from Ann Voss Peterson who recently conducted our local writer’s workshop about characterization. Ann and I were talking afterward about social media, in part because she has co-written a thriller novel with J.A. Konrath entitled Flee and I was wondering what she was doing to promote it. We were talking about my 100 days experiment and I mentioned I’ve noticed a positive impact on my writing. She said something to the effect of: Well, of course. Because you wind up facing yourself.

Ever have one of those moments where everything starts swirling and you wind up in a scene from Mortal Kombat?

Yeah, okay. I did.

What does that mean? Face yourself. Shutting out social media means turning the mute button on two types of voices. First, you turn off other people’s voices that sing/yell/whisper across your screen. By doing so, though, you are automatically shutting off a second voice. YOURS. The one you use to interact with people on these tools. Which is not the same as your author’s voice, but a separate one. (And before you ask, I view blogging to be yet another voice.)

Just how profound is this? Well, I feel understanding what this means is crucial to self-promotion, time-management and good storytelling. After all, if you don’t have any words on the page, then you have nothing to revise. If you have nothing to rewrite, you have no manuscripts to polish. If you don’t have any finished manuscripts, then you don’t have any stories to submit or hand in for your deadline.

Sure, every writer is different. Some can write fast; others not so much. Still others have no problem pounding out the words, connecting with people, and making it all work. For me, though, I need to have a foundation. I have to figure out what time I need to process my work, to wrap my head around my story, article, etc. I need to listen to “the Monica voice.” To do that, to listen to that crazy girl, I had to tone down the number of voices and have a care to what she’s saying. The more voices I jam into my head, the less I can hear my gut instincts. My inner girl o’ awesome.

Is there some truth to this? That in order to be a better writer you need to face yourself?

For me? Yes, yes it is. Many other things have changed for me during this lights out period, because I wanted that silence to work on other goals. I feel like this simple phrase (“Face Yourself”) sums up not only why I needed to do this, but also solidifies what is happening all around me as well. More on that later!

About 100 Days: From April 4th to July 13th I’m turning the lights off on Facebook, Twitter and IMs for personal use. Read 100 Days: Turning off the Lights on Social Media for more information. You can also read the 100 Days post archive.

[My Guest Post] Are You Owning, Renting or Leasing Your Writing?

This month at the How To Write Shop I was inspired to talk about content ownership. As in: your content ownership.

Although the internet is filled with tools to publish and produce stories, blog posts, images, etc. not every tool is creator-friendly. In this case, I’m not talking about copyright. Instead, I’m talking about something much, much more frightening. Many places that you post your words online–including Facebook–spell out the fact that you do not own your own content. What’s worse, in some cases you rescind your rights even after you delete your content.

Why does this matter? Writers, artists, photographers, illustrators, musicians, etc. make a living not only by the creation of original content, but by its distribution. For people like us, our words are valuable because it’s what we get paid to do. In other words–your content is your greatest treasure. –SOURCE: Do You Own, Rent or Lease Your Content?

In the article, I also offer five tips on how you can ensure that your content is exactly where you want it to be. To read them, visit Do You Own, Rent or Lease Your Content? at the How to Write Shop.

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