Freelance Writing Tip #21: Take Criticism

As a writer, you are a unique creature. While you are producing a product that can only be interpreted so many ways, you are also crafting materials for (or with) someone else with the intent of selling it somewhere down the road.

If you intend to make money selling your work, you had better learn how to take criticism.

The thing to remember here is, the minute you “publish” your work–it is no longer about you. Once you breathe life into tired words, crafting into a story or an interesting article to be published online or in print, those words have to grab and engage the reader to sell copies, communicate a point, or seal a deal.

Since writing is a solitary activity, not having human contact while you’re working on a project can put blinders on you, causing you to be more possessive about your work than you need to be. Instead of looking at your work objectively, you end up looking at it subjectively and can no longer see clearly.

Another reason why writers take comments too personally is simply because they don’t perceive writing to be a business. Any business owner, regardless of how big their ego is, would be concerned with the bottom line. In other words, if you are a writer who wants to sell books or articles, then why wouldn’t you listen to your customers to deliver the best product?

If you can’t take legitimate, honest criticism about your work, then don’t plan on writing professionally. Period.

There are ways to improve your ability to take criticism. Try joining a writer’s workshop like Critters.Org. I’ve had several good experiences with this because any time you throw up a story on this group, the standardized bell curve rings true. You’ll get fans of your work; you’ll get people who hate your work. Those people you want to ignore. The gold is in the middle, where some writers will talk about both the good and bad points to your story. If online workshops aren’t your thing, try face-to-face groups or public speaking events.

If all else fails, when you hear someone criticizing your work, BREATHE. Write the comment down in your journal. (I highly recommend carrying one with you at all times.) Then, after you’ve had the chance to get on with your day, revisit the comment and make a decision whether or not the comment was valid, who said it, and if you should take it seriously.

Resumes & Portfolios for Writers: Part Two

Before you’ve taken the time to build your writing resume, you’ll need to think about how you’d like to pull together a portfolio of your writing. While there are many, many different ways to do this, with a little bit of foresight and goal planning, you can put together a collection of your written works that will show off your strengths.

First, you need to think about whether or not you want to focus on a particular writing style or method. For example, if your strength is really on technical writing, you might want to consider structuring your portfolio and adding experiences in that area. If you’re talented in script writing, then perhaps you want to specialize in writing commercials, radio advertising, screenplays, etc.

Second, make sure you ask, every time you are published, if you can use the work in a portfolio. If they say “No,” then ask them if you can use the first paragraph or have an author’s copy of your published work to use as part of your portfolio.

The only challenge with focusing on a style or genre of writing is that you will automatically limit yourself to being typecast as that “kind” of a writer.

How does this affect your job hunting?

When you go to look for a job, most employers may not value writing as a skill, but they do place a great deal of importance on a job’s description. You may know that you can write about anything from widgets to embroidery because you know how to research and then write for your assignment—your employer doesn’t. Being typecast means that you may not even make it through the selection process for a job because even though you have experience writing about chocolate, you haven’t had enough experiences writing about lipstick.

A degree of flexibility is no doubt necessary to find steady work, and you may want to strongly consider selecting works to build one, comprehensive portfolio that you can then adjust for who you are sending samples to when you need it.

For my portfolio, I started out grabbing work-related samples wherever I could find them. Once I established where my strengths were, and where I was getting the most work from, then I started focusing on genre-based writing and business writing. Why? Well, writing is competitive enough as it is—by being able to narrow my abilities into two, specific areas, I’m building a reputation. For me, that works. For you, it may not.

However you decide to put together your portfolio, once you do, I recommend putting together a version in a PDF format. PDFs work great for portfolios because they give you the flexibility to email them, burn them to CD, attach them to your blog or website, and give you instant exposure. If you can, try to keep your “samples” fairly short (500 words or less), unless your potential employer asks for something longer. Typically, employers require 3 to 5 samples of your work as well as 3 to 4 references.

Overall, remember that the key to have a great writing portfolio is to decide what your writing goal is before you put the pieces together. Once you know what you want, assembling a portfolio is a lot like putting together a puzzle. Regardless, remember that your portfolio is for you—even if you’re using it to get a job or an assignment. No matter whether or not an employer “likes” your samples or not, there will always be someone else who comes along who does.

Freelance Writing Tip #20: Interview Cautiously

Since writing jobs are so few and far between, when you get to your very first interview, it’s very common to let that enthusiasm shine through. Unfortunately, enthusiasm sometimes means that you’ll take one-too-many allowances to get the job. Finding a job is a heck of a lot like dating; just like you wouldn’t want to reveal too much about yourself on the first date–you don’t want to tell an employer you need the job to pay for your grandkids’ day care, that you are on anti-depressants, or how many people you’ve dated the first time you meet with them.

Laughing?

Believe it or not, in my experiences hiring others to work for me in different companies I’ve worked for, I’ve heard those exact same words.

So if you are as passionate and excited as I am about writing, use it to your advantage. Channel that energy into asking your potential clients or employers about what they do and more about their business model. You’d be surprised just how much you can learn by listening more than speaking. And here’s one thing, though. Even if you find out that you’ve made a mistake, or they wanted someone with more experience, that knowledge you gained will help you in your next interview. Don’t get discouraged by that rejection because you did all the right things; be encouraged that you did do what you needed to.

It never hurts to practice interviewing and being professional because you never know what could happen in the future. One person that “rejected” you for one position might be the very same person working for another company, months down the road, hiring you for a different job.

In the writing business, you just never know where someone might end up.

Freelance Writing Tip #19: Reading the Classifieds

When you are looking for full-or-part time employment as a writer, there is no such thing as a “writing” job category in the classifieds. Many employers don’t understand the full value of having someone employed as a full-time writer, and this shows when you look for opportunities. Most jobs have different aspects or components of them, one of which is writing. In other words, your full-time job could be 75% writing, 25% marketing, or it could be 50% writing, 50% web design, and so on.

So how do you overcome this? By researching on specific keywords instead of looking in categories. I’ve found writing opportunities in engineering, advertising, marketing, education, and so forth. Some positions didn’t even have the word “writing” in the job title, but the job was over 60% sitting down at a desk and copywriting or research writing every day.

A good thing to keep in mind, too, is that positions that are valued by an employer will appear in the classifieds and might pay higher than it would if it was a job posting in a window. I’ve found this to be true time and time again, so be sure to do a little legwork researching your potential employer before you apply to classified ads.

Remember, finding a writing position is like trying to find a diamond in the rough.

Guest Blogger Writing Tip #2: Reading out of Discomfort

When you choose your next book off of the bookshelf, many genre writers can’t resist the temptation of reading only “their” genre. There is nothing wrong with reading other science fiction writers if you are a science fiction writer yourself, but you’ll find yourself quickly running out of ideas. Well-rounded writers should read outside of their comfort zone, and study how other writers write. Even if you normally don’t read romance novels, science texts, biographies or history, you might just find that by reading different kinds of content will give you a fresh perspective on your own writing. I have learned more about plot construction from reading outside my comfort zone, then reading inside my comfort zone. Non-fiction, especially gives you a lot of ground to take inspiration from. Read, and learn from writers in other fields. Your writing will be better for it.

About Richard Iorio: Since 1996, Richard has been a freelance writer and designer and has written for Atlas Games, Guardians of Order, Hogshead Publishing, and Zeitgeist Games (just to name a few). Currently, Richard is the Operations Manager for Goodman Games, as well as the co-owner and co-founder of Rogue Games, Inc.

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